The primary drawback is that high-key lighting fails to add meaning or drama by lighting certain parts more prominently than others. The advantage to high-key lighting is that it doesn’t require adjustment for each scene which allows the production to complete the shooting in hours instead of days. Nowadays, multiple hot light sources are substituted by much more efficient fluorescent soft lights which provide a similar effect. In the 1950s and 1960s, high-key lighting was achieved through multiple light sources lighting a scene-usually using three fixtures per person (left, right, and central) -which resulted in a uniform lighting pattern with very little modeling. The terminology comes from the key light (main light).
High-key lighting is usually quite homogeneous and free from dark shadows. It is often used in sitcoms and comedies. This was originally done partly for technological reasons, since early film and television did not deal well with high contrast ratios, but now is used to suggest an upbeat mood. High-key lighting is a style of lighting for film, television, or photography that aims to reduce the lighting ratio present in the scene. This is all fine and dandy, but I really miss working solely from Premiere, and the vastly increased performance that it brings.Tutorial rimozione green o blue screen in after effects This makes timeline performance horrendous, but the total rendertime is “only” around 2 hours and 30 minutes. Same workflow as above, but I just embed the AE project in Premiere instead of rendering from AE. Result is much prettier than UltraKeyĪE Project in Premiere Pro. Additional rendertime is two hours, bringing the total to five hours. This nets me no GPU acceleration at render, but timeline performance is great. Put the rendered view in Premiere Pro, and work as normal. Apply the Keylight effect in aftereffects, render to 10Bit Cineform, which take around 3 hours to render. Rendertimes are great! 100% GPU usage, and around 15 min rendertime for a 20min clip, and an incredibly workable timeline.ĪE Render in Premiere Pro. Premiere Pro only: I apply keylighting in Premiere Pro via Ultrakey, and get a mediocre result. All material is shot in dnx hr hqx 4k on a Ninja Inferno For all three I use my greenscreen studio with 5 lamps – two front, two for the greenscreen itself, and the last for back lighting of the subject.Ĭomputer specs: 7700k 4.9Ghz, no AVX offset. I find myself in a bit of a struggle between After Effects powerful Keylight, and Premie Pros lesser Ultra Key.
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